So it just was really nice to be free and allow ourselves to really delve deep into this new character and this new role. You know, when "Creep" comes on, we are thrashing, we are head bobbing, doing things that normally we wouldn't do on stage because on stage you're very self-aware of your body and how you're moving and your face because there are cameras usually on you on the screen. I think they were very much encouraging in terms of go full out, live your life, have fun, be extra, be dramatic, because that reads really well on camera and you're getting to play a character that you normally wouldn't be able to play on your normal stage. So I was just so happy about the collaboration there and the choreography and the movement. So the choreographers and The Masked Singer team were extremely thoughtful in making sure we could be ourselves, but also feel comfortable on stage to make sure that no mishaps would happen. Having that mask on, your visibility is limited. You can experiment with each of them to get the desired effect.
There are a few different options that we can choose from and each of them behaves differently from the other.
KEVIN OLUSOLA: Thankfully no mishaps, but definitely there were things to keep in mind that were different for us being on stage. When working with Rhino, Enscape does not have its own built-in lights so we have to rely on Rhino lights instead.
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